randian | 燃点

Curator: Gu Zheng Exhibition Director: Yuan Jingping Academic Director: Zhang Peili >> Read more

The renowned Chinese contemporary video artist Yang Fudong has turned the eighty-year-old warehouse of OCT Suhe Creek into a halfway station between the past and future. Yang frequently brings a refined aesthetic approach to the shooting of ordinary scenes, and his works are filled with poetic sentiments, dreamlike scenes, and characters wallowing in their own worlds.... >> Read more

Born in Barbados in 1959, Ashley Bickerton had a peripatetic childhood across four continents, from Guyana to Ghana, on to the Balearic Islands and England, then finally Hawaii. His upbringing followed the career of his Anglo-American father, the eminent linguist Derek Bickerton, who researched creole languages and theorised on the formation of human language. >> Read more

This exhibition puts the artist on display, literally. From the inside out. You may never again have an opportunity to see so much of one individual laid bare before your eyes all at one time. >> Read more

Chen Tianzhou, best known for his performance works, has dubbed himself a ‘backstage boy’ – one who spectates his art separately from the audience and ‘disappears into his own work’. >> Read more

Ashes to Ashes at Sullivan+Strumpf marks Adeela Suleman’s first solo exhibition in Singapore. >> Read more

Tabula Rasa Gallery is proud to announce the opening of TOUS LES CHEVAUX DU ROI, a group show curated by Wang Paopao, on September 22, 2018. >> Read more

Writing from Paris in 1991 under the pseudonym “No Beard Fei,” Fei Dawei penned a letter to fellow art critic and curator “Scraggly Beard Grandpa,” the pen name of Li Xianting in Beijing. Fei’s letter was a response to Li’s concern that “if art leaves its cultural motherland, it necessarily withers.” >> Read more

George Condo’s first solo show in Hong Kong, “Expanded Portrait Compositions”, opens at the Hong Kong Maritime Museum. Organized by Sprüth Magers and Skarstedt, it comprises major new work by one of the most influential living painters. >> Read more

As part of China’s standard art education, drawing or painting from life is considered practice - it is mere preparation for a final ‘meaningful’ creation. Yet, Wang Zhibo’s works purposely linger, or rather, continuously return to this condition of practice. >> Read more